Millennial cinema memory in global film /
Millennial cinema memory in global film / [Texte imprimé] :
edited by Amresh Sinha and Terence McSweeney
- London ; New York : Wallflower Press, cop. 2011
- 1 vol. (XVI-248 p.) : ill. ; 25 cm
Notes bibliogr.
Virtual and prosthetic memory -- Time, memory and movement in Gaspar Noé's Irreversible / Reconstructing the past : visual virtuality in Eternal sunshine of the spotless mind / Death every Sunday afternoon : the virtual realities of Hirokazu Kore-Eda's Afterlife / "Prosthetic memory" and transnational cinema : globalised identity and narrative recursivity in City of God / Traumatic and allegorical memory -- Impossible memory : traumatic narratives in Memento and Mulholland Drive / Memories of a catastrophe : trauma and the name in Mira Nair's The namesake / The future at odds with the past : journey through the ruins of memory in Alkinos Tsilimodos's Tom White / Filming the past, present and future of an African village : Ousmane Sembene's Moolaadé / Historical and cultural memory -- "The unquiet dead" : memories of the Spanish Civil War in Guillermo del Toro's cinema / Rewind : the will to remember, the will to forget in Michael Haneke's Caché (2005) / Memory, nostalgia and the feminine : In the mood for love and those qipaos / Memory as cultural battleground in Park Chan-Wook's Oldboy / Paul Atkinson -- Steven Rawle -- Alanna Thain -- Russell J.A. Kilbourn -- Belinda Morrissey -- Amresh Sinha -- Warwick Mules -- David Murphy -- Jonathan Ellis and Ana María Sánchez-Arce -- Jehanne-Marie Gavarini -- Lynda Chapple -- Terence McSweeney
In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first-century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: 'Pan's Labyrinth' (2006), 'The Namesake' (2006), 'Hidden' (2005), 'Eternal Sunshine of the Spotless Mind' (2004), 'Oldboy' (2003), 'City of God' (2002), 'Irreversible' (2002), 'Mulholland Drive' (2001), 'Memento' (2000), and 'In the Mood for Love' (2000)
978-0-231-16192-3
Memory in motion pictures Motion pictures--History--21st century
791.436
Notes bibliogr.
Virtual and prosthetic memory -- Time, memory and movement in Gaspar Noé's Irreversible / Reconstructing the past : visual virtuality in Eternal sunshine of the spotless mind / Death every Sunday afternoon : the virtual realities of Hirokazu Kore-Eda's Afterlife / "Prosthetic memory" and transnational cinema : globalised identity and narrative recursivity in City of God / Traumatic and allegorical memory -- Impossible memory : traumatic narratives in Memento and Mulholland Drive / Memories of a catastrophe : trauma and the name in Mira Nair's The namesake / The future at odds with the past : journey through the ruins of memory in Alkinos Tsilimodos's Tom White / Filming the past, present and future of an African village : Ousmane Sembene's Moolaadé / Historical and cultural memory -- "The unquiet dead" : memories of the Spanish Civil War in Guillermo del Toro's cinema / Rewind : the will to remember, the will to forget in Michael Haneke's Caché (2005) / Memory, nostalgia and the feminine : In the mood for love and those qipaos / Memory as cultural battleground in Park Chan-Wook's Oldboy / Paul Atkinson -- Steven Rawle -- Alanna Thain -- Russell J.A. Kilbourn -- Belinda Morrissey -- Amresh Sinha -- Warwick Mules -- David Murphy -- Jonathan Ellis and Ana María Sánchez-Arce -- Jehanne-Marie Gavarini -- Lynda Chapple -- Terence McSweeney
In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first-century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: 'Pan's Labyrinth' (2006), 'The Namesake' (2006), 'Hidden' (2005), 'Eternal Sunshine of the Spotless Mind' (2004), 'Oldboy' (2003), 'City of God' (2002), 'Irreversible' (2002), 'Mulholland Drive' (2001), 'Memento' (2000), and 'In the Mood for Love' (2000)
978-0-231-16192-3
Memory in motion pictures Motion pictures--History--21st century
791.436