Renoir (رقم التسجيلة. 362047)

MARC details
000 -LEADER
fixed length control field 04409cam a2200397 i 4500
001 - CONTROL NUMBER
control field a449795
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 111201s2012 xxua 001 0 eng d
009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE]
fixed length control field 449795
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-0-3001-8108-1
035 ## - SYSTEM CONTROL NUMBER
System control number 800754103
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging fre
Transcribing agency DLC
Modifying agency FRAS
Description conventions AFNOR
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-fr---
072 ## - SUBJECT CATEGORY CODE
Subject category code SHS
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 759.4
Edition number 21E
084 ## - OTHER CLASSIFICATION NUMBER
Classification number 759.4
095 ## - 095
a xxu
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bailey, Colin B.
Relator term Auteur
Relationship 070
9 (RLIN) 331326
245 10 - TITLE STATEMENT
Title Renoir
Medium [Texte imprimé] :
Remainder of title impressionism and full-length painting /
Statement of responsibility, etc. Colin B. Bailey
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New Haven :
Name of publisher, distributor, etc. Yale University Press,
Date of publication, distribution, etc. 2012
300 ## - PHYSICAL DESCRIPTION
Extent 1 vol. (XI-266 p.) :
Other physical details ill. ;
Dimensions 31 cm
500 ## - GENERAL NOTE
General note Index
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Notes bibliogr.
520 ## - SUMMARY, ETC.
Summary, etc. "Throughout his long working life, Pierre-Auguste Renoir (1841-1919) produced large-format portraits and subject pictures. From the mid-1870s to the mid-1880s--the decade of Impressionism--his vertical, grand-scale canvases were among the artist's most daring and ambitious presentations of contemporary life and fashion. Today they rank among the masterpieces of Impressionism. This stunning book offers fresh insights into Renoir's complex ambitions as a young artist, when he submitted works to both the avant-garde impressionist exhibitions and the official Salon. While painting in the new impressionist style, Renoir remained committed to the full-length format, which was eschewed by most of his fellow impressionists as too traditional. This format afforded Renoir the opportunity to devote himself to the heroic painting of everyday life, and also to linger on the finest details of his figures' fashionable costumes and accessories. Ten iconic canvases display the rich variety of this artist's painterly technique. They reveal the sheer virtuosity of his brushwork in creating silk, lace, mink, and taffeta for shimmering ball gowns, sumptuous furs, chic Parisian day dresses, and glamorous theatrical costumes. These paintings capture the faces and fashions of Renoir's Paris.Extensively illustrated, the book draws upon contemporary criticism, literature, and archival documents to explore the motivation behind Renoir's full-length figure paintings, and technical studies of the canvases shed new light on the artist's working methods"--
Assigning source Provided by publisher
520 ## - SUMMARY, ETC.
Summary, etc. "Renoir, Impressionism, and Full-Length Painting is a full-length scholarly catalogue that accompanies an exhibition of the same title curated by Colin B. Bailey. The exhibition catalogue will provide a new conceptual and contextual framework for approaching Renoir's oeuvre in the first decade of the Impressionist movement. The catalogue will include extensive entries on each of the ten works in the exhibition, as well as an introductory essay on Renoir's relationship to the full-length format. An appendix of Renoir's large-scale works from 1863 to 1890 provide a further sense of context. Our exhibition and its accompanying catalogue are guided by a desire to understand Renoir's complex ambitions as a young artist, when he submitted works to both the avant-garde Impressionist exhibitions and to the official Salon. While painting in the new Impressionist style, Renoir remained uniquely committed to the full-length--a traditional format eschewed by most of his fellow Impressionists. Monet, one of few Impressionists to paint several large full-lengths, abandoned the format by the mid-1870s. The exhibition and its accompanying catalogue will draw upon contemporary criticism, literature, and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception. His use of the full-length will be understood not only within the Impressionist mileu, but also in relation to contemporary academic painters who were the main exponents of the full-length tradition"--
Assigning source Provided by publisher
653 1# - INDEX TERM--UNCONTROLLED
Uncontrolled term Renoir, Auguste,
-- 1841-1919
-- Exhibitions
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Impressionism (Art)
-- France
-- Themes, motives
-- Exhibitions
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Figure painting
-- France
-- Exhibitions
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term ART / Individual Artists / Monographs.
-- bisacsh
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term ART / Collections, Catalogs, Exhibitions / General.
-- bisacsh
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term ART / History / Modern (late 19th Century to 1945).
-- bisacsh
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term ART / Subjects & Themes / Human Figure.
-- bisacsh
930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA]
Uniform title 449795
931 ## -
-- a449795
990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA]
Link information for 9XX fields HIMMI
المقتنيات
Lost status Source of classification or shelving scheme Damaged status Collection Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
  AUTO   Collection générale Bibliothèque centrale Bibliothèque centrale En accès libre 30/04/2012 536.70   759.4 / 514 000003211212 30/04/2012 1 30/04/2012 Livre