MARC details
000 -LEADER |
fixed length control field |
04409cam a2200397 i 4500 |
001 - CONTROL NUMBER |
control field |
a449795 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
111201s2012 xxua 001 0 eng d |
009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
fixed length control field |
449795 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
978-0-3001-8108-1 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
800754103 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
fre |
Transcribing agency |
DLC |
Modifying agency |
FRAS |
Description conventions |
AFNOR |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-fr--- |
072 ## - SUBJECT CATEGORY CODE |
Subject category code |
SHS |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
759.4 |
Edition number |
21E |
084 ## - OTHER CLASSIFICATION NUMBER |
Classification number |
759.4 |
095 ## - 095 |
a |
xxu |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Bailey, Colin B. |
Relator term |
Auteur |
Relationship |
070 |
9 (RLIN) |
331326 |
245 10 - TITLE STATEMENT |
Title |
Renoir |
Medium |
[Texte imprimé] : |
Remainder of title |
impressionism and full-length painting / |
Statement of responsibility, etc. |
Colin B. Bailey |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New Haven : |
Name of publisher, distributor, etc. |
Yale University Press, |
Date of publication, distribution, etc. |
2012 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 vol. (XI-266 p.) : |
Other physical details |
ill. ; |
Dimensions |
31 cm |
500 ## - GENERAL NOTE |
General note |
Index |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Notes bibliogr. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Throughout his long working life, Pierre-Auguste Renoir (1841-1919) produced large-format portraits and subject pictures. From the mid-1870s to the mid-1880s--the decade of Impressionism--his vertical, grand-scale canvases were among the artist's most daring and ambitious presentations of contemporary life and fashion. Today they rank among the masterpieces of Impressionism. This stunning book offers fresh insights into Renoir's complex ambitions as a young artist, when he submitted works to both the avant-garde impressionist exhibitions and the official Salon. While painting in the new impressionist style, Renoir remained committed to the full-length format, which was eschewed by most of his fellow impressionists as too traditional. This format afforded Renoir the opportunity to devote himself to the heroic painting of everyday life, and also to linger on the finest details of his figures' fashionable costumes and accessories. Ten iconic canvases display the rich variety of this artist's painterly technique. They reveal the sheer virtuosity of his brushwork in creating silk, lace, mink, and taffeta for shimmering ball gowns, sumptuous furs, chic Parisian day dresses, and glamorous theatrical costumes. These paintings capture the faces and fashions of Renoir's Paris.Extensively illustrated, the book draws upon contemporary criticism, literature, and archival documents to explore the motivation behind Renoir's full-length figure paintings, and technical studies of the canvases shed new light on the artist's working methods"-- |
Assigning source |
Provided by publisher |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Renoir, Impressionism, and Full-Length Painting is a full-length scholarly catalogue that accompanies an exhibition of the same title curated by Colin B. Bailey. The exhibition catalogue will provide a new conceptual and contextual framework for approaching Renoir's oeuvre in the first decade of the Impressionist movement. The catalogue will include extensive entries on each of the ten works in the exhibition, as well as an introductory essay on Renoir's relationship to the full-length format. An appendix of Renoir's large-scale works from 1863 to 1890 provide a further sense of context. Our exhibition and its accompanying catalogue are guided by a desire to understand Renoir's complex ambitions as a young artist, when he submitted works to both the avant-garde Impressionist exhibitions and to the official Salon. While painting in the new Impressionist style, Renoir remained uniquely committed to the full-length--a traditional format eschewed by most of his fellow Impressionists. Monet, one of few Impressionists to paint several large full-lengths, abandoned the format by the mid-1870s. The exhibition and its accompanying catalogue will draw upon contemporary criticism, literature, and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception. His use of the full-length will be understood not only within the Impressionist mileu, but also in relation to contemporary academic painters who were the main exponents of the full-length tradition"-- |
Assigning source |
Provided by publisher |
653 1# - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
Renoir, Auguste, |
-- |
1841-1919 |
-- |
Exhibitions |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
Impressionism (Art) |
-- |
France |
-- |
Themes, motives |
-- |
Exhibitions |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
Figure painting |
-- |
France |
-- |
Exhibitions |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
ART / Individual Artists / Monographs. |
-- |
bisacsh |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
ART / Collections, Catalogs, Exhibitions / General. |
-- |
bisacsh |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
ART / History / Modern (late 19th Century to 1945). |
-- |
bisacsh |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
ART / Subjects & Themes / Human Figure. |
-- |
bisacsh |
930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
Uniform title |
449795 |
931 ## - |
-- |
a449795 |
990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
Link information for 9XX fields |
HIMMI |