MARC details
000 -LEADER |
fixed length control field |
03790cam a2200337 i 4500 |
001 - CONTROL NUMBER |
control field |
a529574 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
130611s2013 xxua 001 0 eng c |
009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
fixed length control field |
529574 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
978-0-300-14942-5 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
883370839 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
fre |
Transcribing agency |
DLC |
Modifying agency |
FRAS |
Description conventions |
AFNOR |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
MARC country code |
xxu |
-- |
xxk |
072 ## - SUBJECT CATEGORY CODE |
Subject category code |
SHS |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.2 |
Edition number |
23E |
084 ## - OTHER CLASSIFICATION NUMBER |
Classification number |
700 |
095 ## - 095 |
a |
xxu |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Cohen, Rachel |
Relator term |
Auteur |
Relationship |
070 |
9 (RLIN) |
131885 |
245 10 - TITLE STATEMENT |
Title |
Bernard Berenson |
Medium |
[Texte imprimé] : |
Remainder of title |
a life in the picture trade / |
Statement of responsibility, etc. |
Rachel Cohen |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New Haven ; |
-- |
London : |
Name of publisher, distributor, etc. |
Yale University Press, |
Date of publication, distribution, etc. |
cop. 2013 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 vol. (328 p.) : |
Other physical details |
ill. ; |
Dimensions |
22 cm |
490 1# - SERIES STATEMENT |
Series statement |
Jewish lives |
520 ## - SUMMARY, ETC. |
Summary, etc. |
" Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces-new capital, the developing art market, persistent anti-Semitism, and the two world wars-that profoundly affected his life"-- |
Assigning source |
Provided by publisher |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces--new capital, the developing art market, persistent anti-Semitism, and the two world wars--that profoundly affected his life"-- |
Assigning source |
Provided by publisher |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Bibliogr. p. 303-314 |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
Art historians--United States--Biography |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Jewish lives (Yale University Press, New Haven) |
930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
Uniform title |
529574 |
931 ## - |
-- |
a529574 |
990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
Link information for 9XX fields |
Ben Ali Rihab |