MARC details
| 000 -LEADER |
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| fixed length control field |
03284cam a2200409 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
a451935 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
100907s2011 xxuaf 001 0 eng d |
| 009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
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| fixed length control field |
451935 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
978-0-6740-5080-8 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0674050800 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
759179986 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
fre |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
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YDXCP |
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ERASA |
| -- |
CDX |
| -- |
BWX |
| -- |
GZM |
| -- |
NLGGC |
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GZQ |
| -- |
UKMGB |
| -- |
MIX |
| -- |
LHU |
| -- |
DLC |
| -- |
FRAS |
| Description conventions |
AFNOR |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-it--- |
| 072 ## - SUBJECT CATEGORY CODE |
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| Subject category code |
SHS |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
759.5 |
| Edition number |
21E |
| 084 ## - OTHER CLASSIFICATION NUMBER |
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| Classification number |
759.4 |
| 095 ## - 095 |
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| a |
xxu |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gardner, Julian |
| Relator term |
Auteur |
| Relationship |
070 |
| 9 (RLIN) |
330994 |
| 245 10 - TITLE STATEMENT |
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| Title |
Giotto and his publics |
| Medium |
[Texte imprimé] : |
| Remainder of title |
three paradigms of patronage / |
| Statement of responsibility, etc. |
Julian Gardner |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Cambridge : |
| Name of publisher, distributor, etc. |
Harvard University Press, |
| Date of publication, distribution, etc. |
2011 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 vol. (XII-240 p.-[16] p. de pl.) : |
| Other physical details |
ill. ; |
| Dimensions |
21 cm |
| 490 1# - SERIES STATEMENT |
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| Series statement |
The Bernard Berenson lectures on the Italian Renaissance |
| 500 ## - GENERAL NOTE |
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| General note |
Index |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Notes bibliogr. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction -- Giotto at Pisa : the Stigmatization for San Francesco -- Giotto among the money-changers : the Bardi Chapel in Santa Croce -- The lull before the storm : the Vele in the lower church at Assisi -- Conclusion -- Appendix. Inscriptions of the Vele -- Chronology |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto's frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood."--BOOK JACKET |
| 653 0# - INDEX TERM--UNCONTROLLED |
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| Uncontrolled term |
Giotto, |
| -- |
1266?-1337 |
| -- |
Criticism and interpretation |
| 653 ## - INDEX TERM--UNCONTROLLED |
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| Uncontrolled term |
Art patronage |
| -- |
Italy |
| -- |
History |
| -- |
To 1500 |
| 653 0# - INDEX TERM--UNCONTROLLED |
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| Uncontrolled term |
Francis, |
| -- |
of Assisi, Saint, |
| -- |
1182-1226 |
| -- |
Art |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Bernard Berenson lectures on the Italian Renaissance (Harvard University Press) |
| 9 (RLIN) |
327941 |
| 930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
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| Uniform title |
451935 |
| 931 ## - |
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| -- |
a451935 |
| 990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
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| Link information for 9XX fields |
HIMMI |
