MARC details
| 000 -LEADER |
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| fixed length control field |
03009cam a2200385 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
a541951 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
100308s2010 xxka 001 0 eng c |
| 009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
|---|
| fixed length control field |
541951 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
978-1-4094-0024-0 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
758800538 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
fre |
| Transcribing agency |
DLC |
| Modifying agency |
FRAS |
| Description conventions |
AFNOR |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
|---|
| MARC country code |
xxk |
| -- |
xxu |
| 072 ## - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
SHS |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
701.8 |
| Edition number |
23E |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
701 |
| 095 ## - 095 |
|---|
| a |
xxk |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Renaissance theories of vision |
| Medium |
[Texte imprimé] / |
| Statement of responsibility, etc. |
edited by John Shannon Hendrix and Charles H. Carman |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Farnham ; |
| -- |
Burlington : |
| Name of publisher, distributor, etc. |
Ashgate, |
| Date of publication, distribution, etc. |
cop. 2010 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 vol. (X-245 p.) : |
| Other physical details |
ill. ; |
| Dimensions |
25 cm |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Visual culture in early modernity |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Bibliogr. p. [213]-234 |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
Introduction / |
| Statement of responsibility |
John S. Hendrix and Charles H. Carman -- |
| Title |
Classical optics and the perspectivae traditions leading to the Renaissance / |
| Statement of responsibility |
Nader El-Bizri -- |
| Title |
Meanings of perspective in the Renaissance : |
| -- |
tensions and resolution / |
| Statement of responsibility |
Charles H. Carman -- |
| Title |
Criminal vision in early modern Florence : |
| -- |
Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / |
| Statement of responsibility |
Allie Terry -- |
| Title |
Donatello's Chellini Madonna, light, and vision / |
| Statement of responsibility |
Amy R. Bloch -- |
| Title |
Perception as a function of desire in the Renaissance / |
| Statement of responsibility |
John S. Hendrix -- |
| Title |
Leonardo da Vinci's theory of vision and creativity : |
| -- |
the Uffizi Annunciation / |
| Statement of responsibility |
Liana De Girolami Cheney -- |
| Title |
At the boundaries of sight : |
| -- |
the Italian Renaissance cloud putto / |
| Statement of responsibility |
Christian Kleinbub -- |
| Title |
Gesture and perspective in Raphael's School of Athens / |
| Statement of responsibility |
Nicholas Temple -- |
| Title |
Seeing and the transfer of spirits in early modern art theory / |
| Statement of responsibility |
Thijs Weststeijn -- |
| Title |
"All in him selfe as in a glass he sees" : |
| -- |
mirrors and vision in the Renaissance / |
| Statement of responsibility |
Faye Tudor -- |
| Title |
"Nearest the tangible earth" : |
| -- |
Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / |
| Statement of responsibility |
Alice Crawford Berghof |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc. |
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Visual perception--History |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Vision--History |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Perspective--History |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Art--Philosophy |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Art, Renaissance |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hendrix, John Shannon |
| Relator term |
Ed. |
| Relationship |
340 |
| 9 (RLIN) |
74010 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Carman, Charles H. |
| Relator term |
Ed. |
| Relationship |
340 |
| 9 (RLIN) |
379789 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Visual culture in early modernity (Ashgate, Farnham) |
| 9 (RLIN) |
379787 |
| 930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
|---|
| Uniform title |
541951 |
| 931 ## - |
|---|
| -- |
a541951 |
| 990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
|---|
| Link information for 9XX fields |
Ben Ali Rihab |
