A realist theory of art history (رقم التسجيلة. 558556)

MARC details
000 -LEADER
fixed length control field 02324cam a2200337 i 4500
001 - CONTROL NUMBER
control field a528077
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120711s2013 xxk 001 0 eng d
009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE]
fixed length control field 528077
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-0-415-53151-1
035 ## - SYSTEM CONTROL NUMBER
System control number 836127731
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging fre
Transcribing agency DLC
Modifying agency DLC
-- FRAS
Description conventions AFNOR
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE
MARC country code xxk
-- xxu
072 ## - SUBJECT CATEGORY CODE
Subject category code SHS
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 707.22
Edition number 23E
084 ## - OTHER CLASSIFICATION NUMBER
Classification number 700
095 ## - 095
a xxk
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Verstegen, Ian
Relator term Auteur
Relationship 070
9 (RLIN) 366119
245 12 - TITLE STATEMENT
Title A realist theory of art history
Medium [Texte imprimé] /
Statement of responsibility, etc. Ian Verstegen
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London ;
-- New York :
Name of publisher, distributor, etc. Routledge,
Date of publication, distribution, etc. 2013
300 ## - PHYSICAL DESCRIPTION
Extent 1 vol. (XIX-168 p.) ;
Dimensions 24 cm
490 1# - SERIES STATEMENT
Series statement Ontological explorations
520 ## - SUMMARY, ETC.
Summary, etc. "As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions - society and culture, general and 'special' history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history"--
Assigning source Provided by publisher
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliogr. p. 146-164
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art / Historiography
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art / Philosophy
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term SOCIAL SCIENCE / Sociology / General
930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA]
Uniform title 528077
931 ## -
-- a528077
990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA]
Link information for 9XX fields amiri
المقتنيات
Lost status Source of classification or shelving scheme Damaged status Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
  AUTO   Bibliothèque centrale Bibliothèque centrale En accès libre 20/01/2015 1100.39   700 / 767 000005580811 20/01/2015 1 20/01/2015 Livre