From collectives to corporations (رقم التسجيلة. 602764)

MARC details
000 -LEADER
fixed length control field 01932cab a2200385 i 4500
001 - CONTROL NUMBER
control field a660207
003 - CONTROL NUMBER IDENTIFIER
control field SIRSI
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field s2006 s 000 0 eng d
009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE]
fixed length control field 660207
040 ## - CATALOGING SOURCE
Original cataloging agency FRAS
Language of cataloging fre
Transcribing agency FRAS
Modifying agency FRAS
Description conventions AFNOR
043 ## - GEOGRAPHIC AREA CODE
Geographic area code f-mr---
072 ## - SUBJECT CATEGORY CODE
Subject category code OM
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 746.0964
Edition number 23E
084 ## - OTHER CLASSIFICATION NUMBER
Classification number 741
035 ## - SYSTEM CONTROL NUMBER
System control number 1201794674
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Parrish, Sarah
Relator term Auteur
Relationship 070
9 (RLIN) 404820
245 10 - TITLE STATEMENT
Title From collectives to corporations
Medium [Ressource électronique] :
Remainder of title Sheila Hicks' Transnational Air-Craft /
Statement of responsibility, etc. Parrish Sarah
300 ## - PHYSICAL DESCRIPTION
Extent p. 79-99
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliogr. p. 98-99
520 ## - SUMMARY, ETC.
Summary, etc. Throughout the mid-1960s and 1970s, American artist Sheila Hicks executed large-scale fiber commissions for transportation, communication, and finance companies. During this same period, she also collaborated with workshops in Mexico, India, and Morocco to reinvigorate textile industries in these countries. These poles of Hicks' practice collided in the untitled abstract tapestries she embroidered for Air France's Boeing 747 aircraft (1969-77), which obliquely reference the textiles she concurrently produced in settings that were decidedly non-corporate. Rather than straightforwardly representing these sources, however, Hicks' tapestries comprise ambivalent visual signifiers that slip between and through different cultural identifications, simultaneously exposing and obscuring networks of global labor
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element TAPISSERIE
9 (RLIN) 7716
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element MONDIALISATION
9 (RLIN) 206116
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element INDUSTRIE TEXTILE
9 (RLIN) 4723
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element ART
9 (RLIN) 2064
651 #4 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name MAROC
9 (RLIN) 1085
651 #4 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name MEXIQUE
9 (RLIN) 4893
651 #4 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name INDE
9 (RLIN) 1692
773 0# - HOST ITEM ENTRY
Title Design and Culture : the Journal of the Design Studies Forum -
Related parts 2016, vol. 8, n. 1, p. 79-99. -
International Standard Serial Number 1754-7075
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="http://www.fondation.org.ma/dsp/index/a660207-24">http://www.fondation.org.ma/dsp/index/a660207-24</a>
930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA]
Uniform title 660207
931 ## -
-- a660207
990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA]
Link information for 9XX fields Ben Ali Rihab
951 ## - MUC
MUC CM
المقتنيات
Lost status Source of classification or shelving scheme Damaged status Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
  Library of Congress   Bibliothèque centrale Bibliothèque centrale Intranet 18/07/2018   INTRANET AR660207 18/07/2018 1 18/07/2018 مقالة أنترانت