MARC details
| 000 -LEADER |
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| fixed length control field |
03782cam a2200373 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
a583190 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150903s1999 xxu sm 000 0 eng d |
| 009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
|---|
| fixed length control field |
583190 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
1459138011 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
FRAS |
| Language of cataloging |
fre |
| Transcribing agency |
FRAS |
| Modifying agency |
FRAS |
| Description conventions |
AFNOR |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
f-mr--- |
| 094 ## - |
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| a |
TH-USA |
| 072 ## - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
OM |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.430964 |
| Edition number |
23E |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43A |
| 095 ## - 095 |
|---|
| a |
xxu |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Carter, Sandra G. |
| Relator term |
Doctorant |
| Relationship |
305 |
| 9 (RLIN) |
183116 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Moroccan cinema |
| Medium |
[Ressource électronique] : |
| Remainder of title |
what Moroccan cinema ? / |
| Statement of responsibility, etc. |
Sandra Gayle Carter |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 vol. (759 p.) |
| 502 ## - DISSERTATION NOTE |
|---|
| Dissertation note |
Doctor of Philosophy : The University of Texas at Austin : 1999 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Bibliogr. p. 710-758 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Forty years o f Moroccan cinema (films and film industry) proffer significant insights into various, sometimes contradictory, aspects of the nation and people. Historiographic analysis of production, distribution and exhibition comprises one level o f influences upon and ramifications o f Moroccan cinema. Because film is embedded in a larger realm o f significations and actions, socially and culturally, analysis of Moroccan film history also demands a cultural studies approach that embeds films and filmmaking in a specific context (time, place). Cultural studies, drawing primarily upon early orientations at Birmingham, and Gramscian-derived perspectives enunciated by Stuart Hall, interpolates the cinema industry with society, culture, government and economics, and cinema productions as products/reflections o f those same influences. A nation's films offer perspectives into the nation, for insider and outsider viewers, and thus provide Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. additional analytical resources. Film content, within historical periods, reflects unique developments in stories, structures, styles and genres, and insight into filmmakers as well as broader socio-political and cultural forces. Moroccan Cinema: What Moroccan Cinema? develops a historical trajectory of Moroccan cinema (industry and films) from Moroccan political independence, 19S6, until 1996. Chapters devote equal emphasis to industrial and film analyses, embedded in specific socio-political moments. Research materials utilized for historical and filmic discourse derive partially from Moroccan researchers published only within that country, in both Arabic and French, combined with this researcher's analytical viewing of numerous films and events discussed within the dissertation. Several genres and film styles are connected to individual filmmakers, along with discussion of film topics most expressive of the body of work throughout the forty years analyzed. An early emphasis upon documentary and short films progresses through decades into a primary emphasis on feature filmmaking and concerns about exhibition and distribution, nationally and internationally, and a concomitant preoccupation with finances and funding. Theater exhibitions not comprising the entirety of the film venues in Morocco, other realms are interrelated: cinema clubs, cinema caravans, television, videocassettes, and eventually satellite delivery mechanisms. Yet mechanisms have influences, which are interwoven into the overall discussion of industry and product in Morocco. Two additional influential components comprise Berber video makers, and emigrant Moroccan filmmakers. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
CINEASTE |
| 9 (RLIN) |
1985 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
CRITIQUE DE CINEMA |
| 9 (RLIN) |
336290 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
PRODUCTION CINEMATOGRAPHIQUE |
| 9 (RLIN) |
1986 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
FILM |
| 9 (RLIN) |
3471 |
| 651 #4 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
MAROC |
| 9 (RLIN) |
1085 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="http://www.fondation.org.ma/dsp/index/a583190-23">http://www.fondation.org.ma/dsp/index/a583190-23</a> |
| 930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
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| Uniform title |
583190 |
| 931 ## - |
|---|
| -- |
a583190 |
| 990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
|---|
| Link information for 9XX fields |
El Basri |
| 951 ## - MUC |
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| MUC |
CM |
