MARC details
| 000 -LEADER |
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| fixed length control field |
03796cam a2200397 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
a581060 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
141107s2015 xxk 001 0 eng d |
| 009 - PHYSICAL DESCRIPTION FIXED-FIELD FOR ARCHIVAL COLLECTION (VM) [OBSOLETE] |
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| fixed length control field |
581060 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
978-1-4725-7524-1 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
957080689 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
FRAS |
| Language of cataloging |
fre |
| Transcribing agency |
FRAS |
| Modifying agency |
FRAS |
| Description conventions |
AFNOR |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
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| MARC country code |
xxk |
| -- |
ii |
| -- |
xxu |
| 072 ## - SUBJECT CATEGORY CODE |
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| Subject category code |
SHS |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43014 |
| Edition number |
23E |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43 |
| 095 ## - 095 |
|---|
| a |
xxk |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Edgar-Hunt, Robert |
| Relator term |
Auteur |
| Relationship |
070 |
| 9 (RLIN) |
311827 |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The language of film |
| Medium |
[Texte imprimé] / |
| Statement of responsibility, etc. |
Robert Edgar, John Marland, Steven Rawle |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London ; |
| -- |
New Delhi ; |
| -- |
New York [etc.] : |
| Name of publisher, distributor, etc. |
Fairchild Books, |
| Date of publication, distribution, etc. |
2015 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 vol. (216 p.) : |
| Other physical details |
ill., couv. ill. ; |
| Dimensions |
24 cm |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"-- |
| Assigning source |
Provided by publisher |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Notes bibliogr. |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: -- Introduction -- Chapter 1 - Semiotics: Images; The Visual Mind; Reading the Signs; Making Meaning; Codes and Filters; Case study: Seven (d: David Fincher, US); Chapter 1 Summary. Chapter 2 - Narrative: Theories of Storytelling; Structuralism; Theories of Structure; Genette's Narrative Discourse; Case Study: The Secret Life of Walter Mitty (dir: Ben Stiller); Chapter 2 Summary. Chapter 3 - Intertextuality: Text; Quotation; Allusion; Cult Film; Genre; Case Study: Citizen Kane (dir: Orson Welles); Chapter 3 Summary. Chapter 4 - Ideology: Ideological Analysis; Realism; Ideology and Genre; Case study: Dead Man's Shoes (dir: Shane Meadows); Chapter 4 Summary. Chapter 5 - Frames and Images: The Shot; Distance, Height and Framing; Mise en Scene; The Mobile Camera Frame; Time and the Long Take; Case Study: Hero (dir: Yimou Zhang); Chapter 5 Summary.Chapter 6 - Sound: Film: An Audio-visual Medium; Sound Properties; Diegetic and Non-diegetic Sound; Off-screen Space and Audio; The voice; Music; Case study: Berberian Sound Studio (dir: David Strickland); Chapter 6 Summary.Chapter 7 - Constructing Meaning: Continuity Editing; Discontinuity Editing; Montage; Pacing; Space; Case study: Psycho (dir: Alfred Hitchcock); Chapter 7 Summary.Conclusion |
| 653 ## - INDEX TERM--UNCONTROLLED |
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| Uncontrolled term |
Motion pictures / Semiotics |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Motion pictures / Production and direction |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Cinematography |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
ART / Film & Video |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
PERFORMING ARTS / Film & Video / Direction & Production |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
PERFORMING ARTS / Film & Video / Reference |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Marland, John |
| Relator term |
Auteur |
| Relationship |
070 |
| 9 (RLIN) |
311829 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rawle, Steven |
| Relator term |
Auteur |
| Relationship |
070 |
| 9 (RLIN) |
311831 |
| 930 ## - EQUIVALENCE OR CROSS-REFERENCE-UNIFORM TITLE HEADING [LOCAL, CANADA] |
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| Uniform title |
581060 |
| 931 ## - |
|---|
| -- |
a581060 |
| 990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
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| Link information for 9XX fields |
amiri |
