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Stambeli : music, trance, and alterity in Tunisia / Richard C. Jankowsky.

بواسطة:نوع المادة : نصنصالسلاسل:Chicago studies in ethnomusicologyتفاصيل النشر:Chicago ; London : The University of Chicago Press, 2010.وصف:p. cmتدمك:
  • 9780226392172 (cloth : alk. paper)
  • 0226392171 (cloth : alk. paper)
  • 9780226392196 (pbk. : alk. paper)
  • 0226392198 (pbk. : alk. paper)
الموضوع:تصنيف DDC:
  • 781.62/960611 22
تصنيف مكتبة الكونجرس:
  • ML3760.6 .J255 2010
المحتويات:
Histories and geographies of encounter -- Encountering the other people: alterity, possession, ethnography -- Displacement and emplacement: the trans-saharan slave trade and the emergence of sṭambēlī -- Black spirits, white saints: geographies of encounter in the sṭambēlī pantheon -- Musical aesthetics and ritual dynamics -- Voices of ritual authority: musicians, instruments, and vocality -- Sounding the spirits: the ritual dynamics of temporality, modality, and sonic density -- Trance, healing, and the bodily experience: from individual affliction to collective appeasement -- Movements and trajectories -- Pilgrimage and place: local performances, transnational imaginaries -- Sṭambēlī on stage: (re)presentations, musical cosmopolitanism, and the public sphere -- Conclusion: music, trance, and alterity -- Epilogue (with notes on audio examples).
نوع المادة:
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Includes bibliographical references and index.

Histories and geographies of encounter -- Encountering the other people: alterity, possession, ethnography -- Displacement and emplacement: the trans-saharan slave trade and the emergence of sṭambēlī -- Black spirits, white saints: geographies of encounter in the sṭambēlī pantheon -- Musical aesthetics and ritual dynamics -- Voices of ritual authority: musicians, instruments, and vocality -- Sounding the spirits: the ritual dynamics of temporality, modality, and sonic density -- Trance, healing, and the bodily experience: from individual affliction to collective appeasement -- Movements and trajectories -- Pilgrimage and place: local performances, transnational imaginaries -- Sṭambēlī on stage: (re)presentations, musical cosmopolitanism, and the public sphere -- Conclusion: music, trance, and alterity -- Epilogue (with notes on audio examples).

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