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Cave art, perception and knowledge [Texte imprimé] / Mats Rosengren

بواسطة:نوع المادة : نصنصتفاصيل النشر:Basingstoke ; New York : Palgrave Macmillan, 2012وصف:1 vol. (XII-169 p.) : couv. ill., ill. ; 23 cmتدمك:
  • 978-1-137-27196-9
الموضوع:تصنيف DDC:
  • 709.0112 23E
تصنيفات أخرى:
  • 709
المحتويات:
Machine generated contents note: -- Acknowledgements -- Outside -- Cave Opening -- Doxa -- Caves -- Doxa -- Caves -- Caves and Doxa -- Outside - Again -- Notes -- References -- Index
ملخص:"In the late 19th century in northern Spain and southern France prehistoric mural paintings and engravings were discovered. Cave Art, Perception and Knowledge inquires into epistemic questions related to images, depicting and perception that this rich and much debated material has given rise to. Focusing respectively on the historical and scientific circumstances and controversies and on the epistemic and perceptual problems and questions the discovery of these paintings and engravings gave rise to, the book traces the outline of the doxa of cave art studies. It criticizes the different ways of trying to make sense of the cave art. Furthermore it suggests, with the help of both Cornelius Castoriadis's concept of technique and Ernst Cassirer's notion of symbolic form, a yet untried way out of the hermeneutical impasse where the interpretation of the paleolithic pictures finds itself today"-- Provided by publisher
نوع المادة:
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المقتنيات
نوع المادة المكتبة الحالية المجموعة رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale En accès libre Collection générale 709 / 845 (إستعراض الرف(يفتح أدناه)) 1 المتاح 000005691524

"In the late 19th century in northern Spain and southern France prehistoric mural paintings and engravings were discovered. Cave Art, Perception and Knowledge inquires into epistemic questions related to images, depicting and perception that this rich and much debated material has given rise to. Focusing respectively on the historical and scientific circumstances and controversies and on the epistemic and perceptual problems and questions the discovery of these paintings and engravings gave rise to, the book traces the outline of the doxa of cave art studies. It criticizes the different ways of trying to make sense of the cave art. Furthermore it suggests, with the help of both Cornelius Castoriadis's concept of technique and Ernst Cassirer's notion of symbolic form, a yet untried way out of the hermeneutical impasse where the interpretation of the paleolithic pictures finds itself today"-- Provided by publisher

Bibliogr. p. 161-165

Machine generated contents note: -- Acknowledgements -- Outside -- Cave Opening -- Doxa -- Caves -- Doxa -- Caves -- Caves and Doxa -- Outside - Again -- Notes -- References -- Index

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