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Iranian cinema and philosophy [Texte imprimé] : shooting truth / Farhang Erfani

بواسطة:نوع المادة : نصنصالسلاسل:Literatures and cultures of the Islamic world (Palgrave Macmillan, New York)تفاصيل النشر:New York : Palgrave Macmillan, 2012وصف:1 vol. (XII-230 p.) : ill., couv. ill. ; 22 cmتدمك:
  • 9780-230-33911-8
الموضوع:تصنيف DDC:
  • 791.430955 23E
تصنيفات أخرى:
  • 791.43A
المحتويات:
How orphans believe: Deleuze, national cinema and Majidi's The color of paradise -- "What are filmmakers for in needy times?" On Heidegger and Kiarostami's Taste of cherry -- Committed perception: Merleau-Ponty and Children of heaven -- Regarding you: Lacanian gaze and ethics in Kiarostami's Close-up -- Stolen Jouissance: Lacan, feminism and Meshkini's The day I became a woman -- Deafening silence: Bahman Ghobadi's Turtles can fly and marginal politics
ملخص:"In film studies, Iranian films are kept at a distance, as "other," different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question"-- Provided by publisher
نوع المادة:
وسوم من هذه المكتبة لا توجد وسوم لهذا العنوان في هذه المكتبة. قم بتسجيل الدخول لإضافة الأوسمة
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المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale En accès libre 791.43A / 370 (إستعراض الرف(يفتح أدناه)) 1 المتاح 000005829705

"In film studies, Iranian films are kept at a distance, as "other," different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question"-- Provided by publisher

Bibliogr. 205-221

How orphans believe: Deleuze, national cinema and Majidi's The color of paradise -- "What are filmmakers for in needy times?" On Heidegger and Kiarostami's Taste of cherry -- Committed perception: Merleau-Ponty and Children of heaven -- Regarding you: Lacanian gaze and ethics in Kiarostami's Close-up -- Stolen Jouissance: Lacan, feminism and Meshkini's The day I became a woman -- Deafening silence: Bahman Ghobadi's Turtles can fly and marginal politics

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