Cinema beyond film [Texte imprimé] : media epistemology in the modern era / edited by François Albera and Maria Tortajada ; [translated by Lance Hewson]

Bibliogr. p. [255]-257

Introduction to an epistemology of viewing and listening dispositives ; The 1900 episteme / François Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination ; The case for an epistemography of montage : the Marey moment / François Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey ; The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer ; The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat

This publication is made possible by a grant from the Faculté des Lettres de l'université de Lausanne, Réseau Cinéma CH

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