Performing citizenship in Plato's laws [Texte imprimé] / Lucia Prauscello
نوع المادة : نصالسلاسل:Cambridge classical studies (Cambridge University Press, Cambridge)تفاصيل النشر:Cambridge : Cambridge University Press, 2014وصف:1 vol. (IX-272 p.) ; 24 cmتدمك:- 978-1-107-07288-6
- 323.6501 23E
- 323.6
نوع المادة | المكتبة الحالية | المجموعة | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|---|
Livre | Bibliothèque centrale En accès libre | Collection générale | 323.6 / 255 (إستعراض الرف(يفتح أدناه)) | 1 | المتاح | 000005993185 |
Browsing Bibliothèque centrale shelves, Shelving location: En accès libre, Collection: Collection générale إغلاق مستعرض الرف(يخفي مستعرض الرف)
"In the Laws, Plato theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. His reflection on citizenship finds its roots in a descriptive psychology of human experience, with sentience and, above all, volition seen as the primary targets of a lifelong training in the values of citizenship. In the city of Magnesia described in the Laws erôs for civic virtue is presented as a motivational resource not only within the reach of the 'ordinary' citizen, but also factored by default into its educational system. Supporting a vision of 'perfect citizenship' based on an internalized obedience to the laws, and persuading the entire polity to consent willingly to it, requires an ideology that must be rhetorically all-inclusive. In this city 'ordinary' citizenship itself will be troped as a performative action: Magnesia's choral performances become a fundamental channel for shaping, feeling and communicating a strong sense of civic identity and unity"-- Provided by publisher
Bibliogr. p. 236-260
Machine generated contents note: Introduction; Preliminaries; Part I. Performing Ordinary Virtue in Plato's Utopias: Citizenship, Desire and Intention: 1. Citizenship in Callipolis; 2. Citizenship in Magnesia; Part II. Citizenship and Performance in the Laws: 3. Choral performances, persuasion and pleasure; 4. Patterns of chorality in Magnesia; 5. Comedy and comic discourse in Magnesia; 6. Epilogue: on law, agency and motivation
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