Cine-ethics [Texte imprimé] : ethical dimensions of film theory, practice and spectatorship / Edited by Jinhee Choi and Mattias Frey
نوع المادة : نصالسلاسل:Routledge advances in film studies (Routledge, New York)تفاصيل النشر:New York ; London : Routledge, 2014وصف:1 vol. (X-255 p.) : ill. ; 24 cmتدمك:- 978-0-415-82125-4
- 791.43684 23E
- 791.43
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
Livre | Bibliothèque centrale En accès libre | 791.43 / 1007 (إستعراض الرف(يفتح أدناه)) | 1 | المتاح | 000005991754 |
Browsing Bibliothèque centrale shelves, Shelving location: En accès libre إغلاق مستعرض الرف(يخفي مستعرض الرف)
791.43 / 1004 V. 2 Cinephilia in the age of digital reproduction. volume 2, film, pleasure and digital culture | 791.43 / 1005 Experimental cinema the film reader / | 791.43 / 1006 Cinema audiences and modernity new perspectives on European cinema history / | 791.43 / 1007 Cine-ethics ethical dimensions of film theory, practice and spectatorship / | 791.43 / 1008 Cinema and the Great War | 791.43 / 1009 Race, philosophy, and film | 791.43 / 1010 Enchantements désenchantés les contes queer de Jacques Demy / |
"This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators' affective and emotional engagement with film, which can function as a moral ground for one's connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films"-- Provided by publisher
Bibliogr. 237-249
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