Shooting the canon [Ressource électronique] : feminine autobiographical voices of the French-speaking world / by Sarah Elizabeth Mosher

Ph. D. : French : University of Arizona : 2008

Bibliogr. p. 205-213

In the field of literary production, women's autobiographical writing has been one of the most powerful means of artistic expression. Life-writing is a genre of ambiguity and paradox intertwined with some of the most fundamental questions of literary studies. Within the domain of lettres françaises, new canons of female-authored literary works from France and the various regions of the non-Western French-speaking world have emerged during both the colonial and postcolonial periods. This body of published autobiographical texts has worked to re-define the very nature of twentieth and twentyfirst century literary canons. In addition to the traditional autobiographical novel, other literary genres such as travel journals, diaries, poetry, confessions, memoirs, and autobiographical fiction provide authors with a wide array of literary alternatives to the classical autobiography. Focused on the autobiographical texts and films of five French-speaking women of the twentieth century, this study examines both canonical and marginal female authors from France, Northern Africa, and the Caribbean. In addition to dealing with issues such as personal freedom, language, social class, the desire to write, family, alterity, and space, this project seeks to analyze how five French-speaking women autobiographers of different generations and social and national origins established a literature of their own through a métissage of autobiographical forms