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From collectives to corporations [Ressource électronique] : Sheila Hicks' Transnational Air-Craft / Parrish Sarah

بواسطة:نوع المادة : مقالةمقالةوصف:p. 79-99الموضوع:تصنيف DDC:
  • 746.0964 23E
تصنيفات أخرى:
  • 741
موارد على الانترنت: في: Design and Culture : the Journal of the Design Studies Forum - 2016, vol. 8, n. 1, p. 79-99. -ملخص:Throughout the mid-1960s and 1970s, American artist Sheila Hicks executed large-scale fiber commissions for transportation, communication, and finance companies. During this same period, she also collaborated with workshops in Mexico, India, and Morocco to reinvigorate textile industries in these countries. These poles of Hicks' practice collided in the untitled abstract tapestries she embroidered for Air France's Boeing 747 aircraft (1969-77), which obliquely reference the textiles she concurrently produced in settings that were decidedly non-corporate. Rather than straightforwardly representing these sources, however, Hicks' tapestries comprise ambivalent visual signifiers that slip between and through different cultural identifications, simultaneously exposing and obscuring networks of global labor
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Bibliogr. p. 98-99

Throughout the mid-1960s and 1970s, American artist Sheila Hicks executed large-scale fiber commissions for transportation, communication, and finance companies. During this same period, she also collaborated with workshops in Mexico, India, and Morocco to reinvigorate textile industries in these countries. These poles of Hicks' practice collided in the untitled abstract tapestries she embroidered for Air France's Boeing 747 aircraft (1969-77), which obliquely reference the textiles she concurrently produced in settings that were decidedly non-corporate. Rather than straightforwardly representing these sources, however, Hicks' tapestries comprise ambivalent visual signifiers that slip between and through different cultural identifications, simultaneously exposing and obscuring networks of global labor

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