The encoded Cirebon mask [Texte imprimé] : materiality, flow, and meaning along Java's Islamic Northwest Coast / by Laurie Margot Ross
نوع المادة : نصالسلاسل:Studies on performing arts & literature of the Islamicate world ; 2تفاصيل النشر:Leiden : Brill, cop. 2016وصف:1 vol. (374 p.) ; 24 cmتدمك:- 978-90-04-31137-4
- 731.750959824 23E
- 730
نوع المادة | المكتبة الحالية | المجموعة | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|---|
Livre | Bibliothèque centrale En accès libre | Collection générale | 730 / 1112 (إستعراض الرف(يفتح أدناه)) | 1 | المتاح | 000006726256 |
Browsing Bibliothèque centrale shelves, Shelving location: En accès libre, Collection: Collection générale إغلاق مستعرض الرف(يخفي مستعرض الرف)
Bibliogr. p. [305]-337
The pasisir in the age of steam, sail, and the railway -- Independence : registration cards, theme parks, and topeng tours -- Floating artists on the circumambulatory road -- Tuning the body : dzikir flows and sonic theism -- Engaging the body and the senses -- Looking closely : the iconic mask -- Looking closer : the inner face -- Mapping tarekat : performing the mosque/grave complex
"Situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon--once a portal of global exchange--to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia"-- Provided by publisher
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