Roland Barthes' cinema [Texte imprimé] / Philip Watts ; manuscript edited from the author's unfinished chapters by Dudley Andrew, Yves Citton, Vincent Debaene... [et al.]

Bibliogr. p. 163-177

Editor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 -- The face of Garbo -- Rrefresh the perception of the world. On cinemascope -- Barthes and the New Wave -- Barthes and Bazin. Lost continent From ontology to rhetoric and back -- Camera Lucida -- Another revolution. The fetishist -- Eisenstein, 1970 -- From leftocracy to affect and intimacy -- Exiting the movie theater. The science of filmology -- Apparatus theory -- The aestheticization of the world -- A long conversation with Christian Metz -- Exiting theory -- The melodramatic imagination. The Brontë sisters -- The New Wave melodramatic turn -- Michel Foucault's melodramatic imagination -- Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography -- Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Texts on the cinema by Roland Barthes: The angels of sin (on Bresson's Les anges du péché) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left (on Cabrol's Le beau serge) -- On leftist criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre -- James Bond -- Sade Pasolini (on Salò) -- Barthes and cinema: a bibliography