Sephardic book art of the fifteenth century / edited by Luís U. Afonso, Tiago Moita
نوع المادة :
نصمداخل تحليلية: أظهر التحليلاتتفاصيل النشر:Turnhout : Harvey Miller Publishers, cop. 2019وصف:(255 p.)تدمك:- 978-1-909400-59-7
- 745.6709460902 23E
- 741
| نوع المادة | المكتبة الحالية | المجموعة | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
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Bibliothèque centrale En accès libre | Collection générale | 741 / 958 (إستعراض الرف(يفتح أدناه)) | 1 | المتاح | 000007489266 |
Browsing Bibliothèque centrale shelves, Shelving location: En accès libre, Collection: Collection générale إغلاق مستعرض الرف(يخفي مستعرض الرف)
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| 741 / 953 Medieval Tunisia : its artists-artisans and its precious fabrics / | 741 / 954 Hamda Dniden, peintre de Sidi Bou Saïd / | 741 / 957 Decorative arts of the Tunisian École : fabrications of modernism, gender, and power / | 741 / 958 Sephardic book art of the fifteenth century / | 741 / 966 V. 1 مرغ باغ ملكوت / | 741 / 966 V. 2 مرغ باغ ملكوت / | 741 / 968 V. 1 العين والنسيان : تأملات جمالية في تجارب فنية. الجزء الأول / |
Bibliogr. p. 229-243
The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.
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