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Faking it! : the performance of forgery in late medieval and early modern culture / edited by Philip Lavender, Matilda Amundsen Bergström.

المساهم (المساهمين):نوع المادة : نصنصالسلاسل:Intersections : interdisciplinary studies in early modern culture ; volume 84, 2023تفاصيل النشر:Leiden ; Boston : Brill, [2023]وصف:pages cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9789004449480
الموضوع:تنسيقات مادية إضافية:Online version:: Faking it!تصنيف مكتبة الكونجرس:
  • HV6675 .F35 2023
ملخص:"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- Provided by publisher.
نوع المادة:
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المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale XX(777338.1) (إستعراض الرف(يفتح أدناه)) 1 المتاح 000007957000

Includes bibliographical references and index.

"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- Provided by publisher.

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