Theodor Adorno and film theory the fingerprint of spirit / [Texte imprimé] :
Brian Wall
- New York : Palgrave Macmillan, 2013
- 1 vol. (173 p.) : ill., couv. ill. ; 23 cm
Bibliogr. p. [165]-169
Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.
978-1-137-30613-5
Motion pictures--Philosophy Adorno, Theodor Wiesengrund