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The battle of Algiers / Alan O'Leary

بواسطة:نوع المادة : نصنصالسلاسل:Italian frame ; 5تفاصيل النشر:Milan : Mimesis International, cop. 2019وصف:(127 p.)تدمك:
  • 9788869770791
الموضوع:تصنيف DDC:
  • 791.4365865046 23E
تصنيفات أخرى:
  • 791.43A
ملخص:Commissioned by Algerians and made by Italians, with dialogue in Arabic and French, The Battle of Algiers (Gillo Pontecorvo, 1966) is a classic of political cinema, equally influential to art-house and popular cinema. The film's complex consideration of the efficacy of torture and terrorism means it is a key text for thinking about the ethics of conflict, and it is studied not only by scholars of cinema but also by political scientists and historians, not to mention by military and revolutionary groups. If The Battle of Algiers is a 'birth of a nation' film in a melodramatic mode (something regularly disavowed in favor of its supposedly 'documentary' realism), it is also an 'end of empire' film. It ambivalently pictures the failure of a Utopian project imposed by the French colonizer and looks forward in time to circumstances in postcolonial Europe even as it celebrates the achievement of an African nation.
نوع المادة:
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نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale En accès libre 791.43A / 554 (إستعراض الرف(يفتح أدناه)) 1 المتاح 000007656194

Bibliogr. p. 117-127

Commissioned by Algerians and made by Italians, with dialogue in Arabic and French, The Battle of Algiers (Gillo Pontecorvo, 1966) is a classic of political cinema, equally influential to art-house and popular cinema. The film's complex consideration of the efficacy of torture and terrorism means it is a key text for thinking about the ethics of conflict, and it is studied not only by scholars of cinema but also by political scientists and historians, not to mention by military and revolutionary groups. If The Battle of Algiers is a 'birth of a nation' film in a melodramatic mode (something regularly disavowed in favor of its supposedly 'documentary' realism), it is also an 'end of empire' film. It ambivalently pictures the failure of a Utopian project imposed by the French colonizer and looks forward in time to circumstances in postcolonial Europe even as it celebrates the achievement of an African nation.

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