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Sociology of the arts in action : new perspectives on creation, production, and reception

بواسطة:نوع المادة : نصنصتفاصيل النشر:Cham : Palgrave Macmillan, 2023تدمك:
  • 9783031113048
تصنيف DDC:
  • 7
ملخص:This edited collection carries out an extensive coverage of the sociology of arts' most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economicsociology, microsociology, ethnomethodology, semiotics, and cultural history.
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Livre Livre Bibliothèque centrale المتاح 000007968532

Arturo Rodríguez Morató is Professor of Sociology and current Director of the CECUPS (Center for the Study of Culture, Politics and Society) at the University of Barcelona, Spain.

This edited collection carries out an extensive coverage of the sociology of arts' most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economicsociology, microsociology, ethnomethodology, semiotics, and cultural history.

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