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The curious case of the camel in modern Japan : (de)colonialism, orientalism, and imagining Asia / Ayelet Zohar.

بواسطة:نوع المادة : نصنصتفاصيل النشر:Leiden ; Boston : Brill, 2022.وصف:xv, 186 pages : illustrations (chiefly color) ; 26 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9789004504653
  • 9004504656
الموضوع:تصنيف DDC:
  • 704.9/43296362 23
تصنيف مكتبة الكونجرس:
  • NX650.E85 Z64 2022
ملخص:In 'The Curious Case of the Camel in Modern Japan' Ayelet Zohar critically analyzes camel images as a metonymy for Asia, and Japanese attitudes towards the continent. The book reads into encounters with the exotic animals, from 'nanban' art, realist Dutch-influenced illustrations, through 'misemono' roadshows of the first camel-pair imported in 1821. Modernity and Japan's wars of Pan-Asiatic fantasies associated camels with Asia's poverty, bringing camels into zoos, tourist venues, and military zones, as lowly beasts of burden, while postwar images project the 'imago' of exotica and foreignness on camels as Buddhist 'peace' messengers. Zohar convincingly argues that in the Japanese imagination, camels serve as signifiers of Asia as Otherness, the opposite of Japan's desire for self-association with Western cultures.
نوع المادة:
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المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale XX(788278.1) (إستعراض الرف(يفتح أدناه)) 1 المتاح 000007966569

Includes bibliographical references (pages 166-175) and index.

In 'The Curious Case of the Camel in Modern Japan' Ayelet Zohar critically analyzes camel images as a metonymy for Asia, and Japanese attitudes towards the continent. The book reads into encounters with the exotic animals, from 'nanban' art, realist Dutch-influenced illustrations, through 'misemono' roadshows of the first camel-pair imported in 1821. Modernity and Japan's wars of Pan-Asiatic fantasies associated camels with Asia's poverty, bringing camels into zoos, tourist venues, and military zones, as lowly beasts of burden, while postwar images project the 'imago' of exotica and foreignness on camels as Buddhist 'peace' messengers. Zohar convincingly argues that in the Japanese imagination, camels serve as signifiers of Asia as Otherness, the opposite of Japan's desire for self-association with Western cultures.

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