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Divided dreamworlds ? [Texte imprimé] : the cultural Cold War in East and West / edited by Peter Romijn, Giles Scott-Smith, Joes Segal

المساهم (المساهمين):نوع المادة : نصنصالسلاسل:Studies of the Netherlands Institute for war documentation (Amsterdam University Press, Amsterdam)تفاصيل النشر:Amsterdam : Amsterdam University Press, 2012وصف:1 vol. (VIII-238 p.) : couv. ill., ill. ; 24 cmتدمك:
  • 978-90-8964-436-7
الموضوع:تصنيف DDC:
  • 909.825 23E
تصنيفات أخرى:
  • 909
ملخص:With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West
نوع المادة:
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نوع المادة المكتبة الحالية المجموعة رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
Livre Livre Bibliothèque centrale En accès libre Collection générale 909 / 1166 (إستعراض الرف(يفتح أدناه)) 1 المتاح 000005786206

Notes bibliogr.

With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West

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