| 000 | 01895cam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | a451907 | ||
| 008 | 100224s2010 xxuac 001 0deng d | ||
| 009 | 451907 | ||
| 020 | _a978-0-6911-4701-7 | ||
| 020 | _a0691147019 | ||
| 035 | _a693823266 | ||
| 040 |
_aDLC _bfre _cDLC _dYDX _dYDXCP _dUKM _dKUK _dIOG _dIHV _dCDX _dERASA _dBWX _dIAY _dCRU _dIXA _dDLC _dFRAS _eAFNOR |
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| 043 | _ae-it--- | ||
| 072 | _aSHS | ||
| 082 | 0 | 4 |
_a759.5 _221E |
| 084 | _a759.4 | ||
| 100 | 1 |
_aFried, Michael _eAuteur _4070 _987871 |
|
| 245 | 1 | 4 |
_aThe moment of Caravaggio _h[Texte imprimé] / _cMichael Fried |
| 260 |
_aPrinceton, N.J. : _bPrinceton University Press, _ccop. 2010 |
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| 300 |
_a1 vol. (X-304 p.) : _bill. ; _c29 cm |
||
| 490 | 1 |
_aThe A.W. Mellon lectures in the fine arts ; _v[2010] |
|
| 490 | 1 |
_aBollingen series ; _vXXXV, 51 |
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| 500 | _aIndex | ||
| 504 | _aNotes bibliogr. | ||
| 505 | 0 | _aPreface and acknowledgments -- Introduction -- Lecture 1. Boy bitten by a lizard -- Lecture 2. Immersion and specularity -- Lecture 3. The invention of absorption -- Lecture 4. Skepticism, Shakespeare, address, density -- Lecture 5. Severed representations -- Lecture 6. The internal structure of the pictorial act -- Conclusion | |
| 653 | 1 |
_aCaravaggio, Michelangelo Merisi da, _d1573-1610 _xCriticism and interpretation |
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| 653 | 1 |
_aCaravaggio, Michelangelo Merisi da, _d1573-1610. _tBoy bitten by a lizard (National Gallery (Great Britain)) |
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| 653 | _aComposition (Art) | ||
| 653 |
_aPainting, Italian _zItaly _zRome _y16th century |
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| 653 |
_aPainting, Italian _zItaly _zRome _y17th century |
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| 653 |
_aCaravaggio, Michelangelo Merisi da, _d1573-1610 _xThemes, motives |
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| 830 | 4 |
_aThe A. W. Mellon lectures in the fine arts (Princeton University Press, Princeton) _pBollingen series |
|
| 930 | _a451907 | ||
| 931 | _aa451907 | ||
| 990 | _aHIMMI | ||
| 095 | _axxu | ||
| 999 |
_c467208 _d467208 |
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