| 000 | 03053cam a2200361 i 4500 | ||
|---|---|---|---|
| 001 | a530725 | ||
| 008 | 130814s2013 xxu 001 0 eng c | ||
| 009 | 530725 | ||
| 020 | _a978-1-137-37469-1 | ||
| 035 | _a1413747213 | ||
| 040 |
_aDLC _bfre _cDLC _dFRAS _eAFNOR |
||
| 043 | _ae------ | ||
| 072 | _aSHS | ||
| 082 |
_a792.0940904 _223E |
||
| 084 | _a792 | ||
| 095 | _axxu | ||
| 100 | 1 |
_aMorgan, Margot _eAuteur _4070 _9366352 |
|
| 245 | 1 | 0 |
_aPolitics and theatre in twentieth-century Europe _h[Texte imprimé] : _bimagination and resistance / _cMargot Morgan |
| 260 |
_aNew York : _bPalgrave Macmillan, _c2013 |
||
| 300 |
_a1 vol. (X-212 p.) ; _c24 cm |
||
| 490 | 1 | _aCritical political theory and radical practice | |
| 520 |
_a"By examining four playwrights - George Bernard Shaw, Bertolt Brecht, Jean-Paul Sartre, and Eugene Ionesco - Politics and Theatre in Twentieth-Century Europe looks at how political theatre has unraveled in the modern era due to the 'art of separation,' wherein political concerns have been removed from the realm of theatre. When political theorists often discuss theatre, they do so mainly within the confines of ancient Greek playwrights, overlooking the salient and meaningful political discourse within more contemporary literature. Focusing squarely on the political elements of Shaw, Brecht, Sarte, and Ionesco, Morgan reintroduces political discourse into discussions of theatre - linking playwright to political philosopher, and their literature to the greater field of political discourse"-- _cProvided by publisher |
||
| 504 | _aBibliogr. p. [191]-199 | ||
| 520 |
_a"Much has been written about the importance of ancient theatre for political theory. In Politics and Theatre in Twentieth-Century Europe, Margot Morgan broadens that discussion by focusing on four of the most important playwrights of the twentieth century: George Bernard Shaw, Bertolt Brecht, Jean-Paul Sartre, and Eug Ionesco. Against the threats of totalitarianism, war, and political isolation, they used theatre to champion the dignity of the individual, the strength of the community, and the power of the imagination. Morgan explicates the lives and works of these playwrights and sees their innovations in theatre as providing a model for political practice"-- _cProvided by publisher |
||
| 505 | 8 | _aMachine generated contents note: -- 1. Introduction: Political Theatre as Political Theory -- 2. George Bernard Shaw: The Theatre of Bourgeois Radicalism -- 3. Bertolt Brecht: The Theatre of Proletarian Revolution -- 4. Jean-Paul Sartre: The Theatre of Situations -- 5. Eugene Ionesco: The Theatre of the Absurd -- 6. Conclusion: Political Theatre as Political Practice | |
| 653 | _aTheater--Europe--History--20th century | ||
| 653 | _aTheater--Political aspects--Europe--History--20th century | ||
| 653 | _aEuropean drama--20th century--History and criticism | ||
| 830 | 0 | _aCritical political theory and radical practice (Palgrave Macmillan, New York) | |
| 930 | _a530725 | ||
| 931 | _aa530725 | ||
| 990 | _aBen Ali Rihab | ||
| 999 |
_c468482 _d468482 |
||