| 000 | 01216cam a2200301 i 4500 | ||
|---|---|---|---|
| 001 | a536747 | ||
| 008 | 121025s2013 xxua 001 0 eng c | ||
| 009 | 536747 | ||
| 020 | _a978-0-231-16132-9 | ||
| 035 | _a862011992 | ||
| 040 |
_aDLC _bfre _cDLC _dFRAS _eAFNOR |
||
| 072 | _aSHS | ||
| 082 | 0 | 4 |
_a791.4301 _223E |
| 084 | _a791.43 | ||
| 095 | _axxu | ||
| 100 | 1 |
_aVaughan, Hunter _eAuteur _4070 _9375466 |
|
| 245 | 1 | 0 |
_aWhere film meets philosophy _h[Texte imprimé] : _bGodard, Resnais, and experiments in cinematic thinking / _cHunter Vaughan |
| 260 |
_aNew York : _bColumbia University Press, _ccop. 2013 |
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| 300 |
_a1 vol. (X-244 p.) : _bill. ; _c24 cm |
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| 490 | 1 | _aFilm and culture | |
| 504 | _aBibliogr. p. 229-238 | ||
| 505 | 0 | _aIntroduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead | |
| 653 | _aMotion pictures--Philosophy | ||
| 830 | 0 |
_aFilm and culture _9325001 |
|
| 930 | _a536747 | ||
| 931 | _aa536747 | ||
| 990 | _aBen Ali Rihab | ||
| 999 |
_c473839 _d473839 |
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