000 | 01414cam a2200337 i 4500 | ||
---|---|---|---|
001 | a538434 | ||
008 | 110916s2012 xxk 001 0 eng d | ||
009 | 538434 | ||
020 | _a978-1-4411-1340-5 | ||
020 | _a978-1-4411-7928-9 | ||
035 | _a863039700 | ||
040 |
_aDLC _bfre _cDLC _dDLC _dFRAS _eAFNOR |
||
044 |
_axxk _axxu |
||
072 | _aSHS | ||
082 | 0 | 4 |
_a791.436522 _223E |
084 | _a791.43 | ||
095 | _axxk | ||
100 | 1 |
_aRizzo, Teresa _eAuteur _4070 _9377972 |
|
245 | 1 | 0 |
_aDeleuze and film _h[Texte imprimé] : _ba feminist introduction / _cTeresa Rizzo |
260 |
_aLondon ; _aNew York : _bContinuum, _ccop. 2012 |
||
300 |
_a1 vol. (195 p.) : _bcouv. ill. ; _c24 cm |
||
504 | _aBibliogr. p. 183-189 | ||
505 | 0 | _aThe cinematic apparatus and the transcendental subject -- Re-thinking representation : new lines of thought in feminist philosophy -- Cinematic assemblages : an ethological approach to film-viewing -- The slasher film : a Deleuzian feminist analysis -- The alien series : alien-becomings, human-becomings -- The molecular poetics of the assemblage : before night falls -- Conclusion : a feminist cinematic assemblage | |
653 | _aFeminism and motion pictures | ||
653 | _aFeminist film criticism | ||
653 | _aDeleuze, Gilles, 1925-1995 / Criticism and interpretation | ||
653 | _aMotion pictures / Philosophy | ||
930 | _a538434 | ||
931 | _aa538434 | ||
990 | _aamiri | ||
999 |
_c475351 _d475351 |