000			03009cam a2200385 i 4500
001			a541951
008			100308s2010 xxka 001 0 eng c
009			541951
020			_a978-1-4094-0024-0
035			_a758800538
040			_aDLC _bfre _cDLC _dFRAS _eAFNOR
044			_axxk _axxu
072			_aSHS
082	0	4	_a701.8 _223E
084			_a701
095			_axxk
245	0	0	_aRenaissance theories of vision _h[Texte imprimé] / _cedited by John Shannon Hendrix and Charles H. Carman
260			_aFarnham ; _aBurlington : _bAshgate, _ccop. 2010
300			_a1 vol. (X-245 p.) : _bill. ; _c25 cm
490	1		_aVisual culture in early modernity
504			_aBibliogr. p. [213]-234
505	0	0	_gIntroduction / _rJohn S. Hendrix and Charles H. Carman -- _tClassical optics and the perspectivae traditions leading to the Renaissance / _rNader El-Bizri -- _tMeanings of perspective in the Renaissance : _ttensions and resolution / _rCharles H. Carman -- _tCriminal vision in early modern Florence : _tFra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / _rAllie Terry -- _tDonatello's Chellini Madonna, light, and vision / _rAmy R. Bloch -- _tPerception as a function of desire in the Renaissance / _rJohn S. Hendrix -- _tLeonardo da Vinci's theory of vision and creativity : _tthe Uffizi Annunciation / _rLiana De Girolami Cheney -- _tAt the boundaries of sight : _tthe Italian Renaissance cloud putto / _rChristian Kleinbub -- _tGesture and perspective in Raphael's School of Athens / _rNicholas Temple -- _tSeeing and the transfer of spirits in early modern art theory / _rThijs Weststeijn -- _t"All in him selfe as in a glass he sees" : _tmirrors and vision in the Renaissance / _rFaye Tudor -- _t"Nearest the tangible earth" : _tRembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / _rAlice Crawford Berghof
520	8		_aHow are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley
653			_aVisual perception--History
653			_aVision--History
653			_aPerspective--History
653			_aArt--Philosophy
653			_aArt, Renaissance
700	1		_aHendrix, John Shannon _eEd. _4340 _974010
700	1		_aCarman, Charles H. _eEd. _4340 _9379789
830		0	_aVisual culture in early modernity (Ashgate, Farnham) _9379787
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931			_aa541951
990			_aBen Ali Rihab
999			_c478555 _d478555