000 | 01913cam a2200337 i 4500 | ||
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001 | a481235 | ||
008 | 110914s2012 xxu 001 0 eng c | ||
009 | 481235 | ||
020 | _a978-1-4411-4541-3 | ||
035 | _a859139205 | ||
040 |
_aDLC _bfre _cDLC _dFRAS _eAFNOR |
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044 |
_axxu _axxk |
||
072 | _aSHS | ||
082 | 0 | 4 |
_a791.43653 _221E |
084 | _a791.43 | ||
100 | 1 |
_aShaw, Daniel _d(1951-....) _eAuteur _4070 _992413 |
|
245 | 1 | 0 |
_aMorality and the movies _h[Texte imprimé] : _breading ethics through film / _cDan Shaw |
260 |
_aNew York ; _aLondon : _bContinuum, _ccop. 2012 |
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300 |
_a1 vol. (VI-198 p.) : _bcouv. ill. ; _c22 cm |
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504 | _aNotes bibliogr. | ||
505 | 0 | _aSubmission to God's will in A man for all seasons -- Egoism and utilitarianism in Casablanca -- Social contract theory in The man who shot Liberty Valence -- Kant: morality as rational consistency -- Relativism, perspectivism, and Citizen Kane -- Moral virtue and the limits of friendship in Nichomachean ethics and The third man -- Freedom and determinism in A clockwork orange -- Kinsey and sexual morality -- Active euthanasia and The sea inside -- Capital punishment and compassion in Dead man walking -- The morality and meaning of war in Full metal jacket -- Individual autonomy and abortion rights in The cider house rules -- Bowling for Columbine and gun control -- Terrorism and counterterrorism in Munich -- The ethics of business in Wall Street -- Affirmative action and diversity in Remember the Titans -- Conclusion: how films can be philosophical and how philosophy can light up the screen | |
653 | _aEthics in motion pictures | ||
653 | _aFilm criticism | ||
774 | 0 |
_aShaw, Daniel _tEgoism and utilitarianism in Casablanca _wa579054 |
|
930 | _a481235 | ||
931 | _aa481235 | ||
990 | _aMAGHDER Ayoub | ||
095 | _axxu | ||
700 | 1 | 9 |
_aشو، دانيال _d(1951-....) |
999 |
_c507347 _d507347 |