000			02944cam a2200505 i 4500
001			a544626
005			20241023203532.0
008			101101s2013 xxca 001 0deng d
009			544626
020			_a978-1-4426-4055-9
020			_a1-4426-4055-3
035			_a1459020440
040			_aNLC _bfre _cNLC _dYDXCP _dERASA _dCDX _dYOU _dLHU _dDLC _dFRAS _eAFNOR
041	0		_aeng _aita
043			_ae-it---
044			_axxc _axxu _axxk
072			_aSHS
082	0	4	_a739.75094509031 _223E
084			_a730
095			_axxc
100	1		_aSpringer, Carolyn _eAuteur _4070 _9375284
245	1	0	_aArmour and masculinity in the Italian Renaissance _h[Texte imprimé] / _cCarolyn Springer
260			_aToronto ; _aBuffalo ; _aLondon : _bUniversity of Toronto Press, _c2013
300			_a1 vol. (XII-241 p.) : _bill., couv. ill. ; _c24 cm
490	1		_aToronto Italian studies
504			_aBilbiogr. p. 217-235
546			_aComprend du texte en italien
505	0		_aThe Classical Body: The Poetics of the Bella Figura -- The Sacred Body: The Armour of Sacrifice -- The Grotesque Body: Tropes and Apotropes -- Guidobaldo II della Rovere (1514-74) -- Charles V Habsburg (1500-58) -- Cosimo I de' Medici (1519-74)
520			_a"During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression
520			_aLuxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form."--pub. desc.
653			_aArmor, Renaissance / Social aspects / Italy
653			_aItaly / Civilization / 1268-1559
653			_aItaly _xIntellectual life / 1268-1559
653			_aMasculinity / Italy / History
653			_aArmor in art
653			_aArmures de la Renaissance / Aspect social / Italie
653			_aItalie / Civilisation / 1268-1559
653			_aItalie / Vie intellectuelle / 1268-1559
653			_aMasculinité / Italie / Histoire
653			_aArmures dans l'art
830		0	_aToronto Italian studies (University of Toronto Press, Toronto)
930			_a544626
931			_aa544626
990			_aamiri
999			_c785172 _d785172