000 02259cam a2200349 i 4500
001 a750401
008 210510s1982 xxu 000 0 eng u
009 750401
020 _a9780292715349
041 1 _aeng
_hrus
072 _aSHS
082 _a801.953
_223A
084 _a801.95
096 _a809
100 1 _aBakhtine, Mikhaïl
_d(1895-1975)
_eAuteur
_4070
_947530
240 1 0 _aVoprosy literatury i ėstetiki.
_f1975
245 1 4 _aThe dialogic imagination :
_bfour essays /
_cby M. M. Bakhtin ; edited by Michael Holquist ; translated by Caryl Emerson and Michael Holquist
260 _aAustin :
_bUniversity of Texas Press,
_c1982
_6401583
300 _a(443 p.)
490 0 _aUniversity of Texas Press Slavic series ;
_vno. 1
520 _aThese essays reveal Mikhail Bakhtin (1895-1975)--known in the West largely through his studies of Rabelais and Dostoevsky--as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category novel in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, novelness, which he discusses in From the Prehistory of Novelistic Discourse. Two essays, Epic and Novel and Forms of Time and of the Chronotope in the Novel, deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented languages in battle with one another.
700 1 _aHolquist, Michael
_eEd.
_4340
_945022
700 1 _aHolquist, Michael
_eTrad.
_4730
_945022
700 1 _aEmerson, Caryl
_eTrad.
_4730
_9482741
040 _aFRAS
_bfre
_cFRAS
_dFRAS
_eAFNOR
930 _a750401
931 _aa750401
990 _aKadi Hamman Youssef
095 _axxu
049 _aTrad
700 1 9 _aباختين، ميخائيل
_d(1895-1975)
999 _c833666
_d833666